I have now worked at JBU for exactly a year.
It's fitting that today I should find myself helping to train our new counselor: sending her informational emails/templates/codes, helping her learn the day to day and mark her calendar for different fairs and school events.
In this year, I have learned a lot.
Basics such as how to look like a professional (still a work in progress), how to plan for travel season, how to fill my desk days. I've also learned how to make a shower floor shine white, how to plan a weekly food menu, and how to solve my lava-hot room problem by picking out functional (and cute) thermal curtains.
It's been a good chapter, but it didn't start out that way.
During the first draft, there were late mornings, nose rings, frozen chimichangas, late nights, and a lot of energetic flailing.
Each month, each chapter section, brought changes wrought by many editors: my bosses, my housemates, my family, my friends, my God, and myself.
A good writer recognizes the reality of the "shitty first draft". The SFD is the first go-round of thoughts in the book writing process, and usually the most excitable.
Ink pours out of you, as new characters, setting details, and big picture ideas spurt into your right brain.
There's all this stuff!! All this new!! And for a while, you think it's the best thing ever brought into creation.
Until you meet your editor.
Enter: opposition.
They give you feedback you usually aren't ready to accept graciously (or at all), and you emotionally recoil and fight back vehemently, defending your paragraphs like a banshee.
All alone later, though, you take a look back at what you've created.
There's been enough distance now that, "Oh gosh...my editor was right", and you start implementing their corrections, awkwardly at first until you learn to merge your voice with their ideas. You practice and you correct till it begins to feel natural, as though it had been you all along.
We finish and we forget: this chapter isn't ours.
Without our editors, we would have pages full of microwaveable Mexican food, unprofessional-ism, the wrong addresses, lethargy, loneliness, and exhaustion.
Our editors bring with them momentary anxiety, frustration, pain, and sometimes embarrassment, but they are the ones who turn our outlines into books.
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